Rights
What 'world rights' usually means, and why you rarely want to grant them
A single clause can hand away twenty markets you have never discussed. Here is how to read it, and what to counter with.
Draft — pending publication · 8 min read
Blog & insights
Practical, unglamorous explanations of how international publishing actually functions — written by the colleagues who do the work. Articles below are drafts pending editorial publication.
Editorial line
Every piece must answer a question an author has actually asked us. If it only exists to attract search traffic, we do not publish it.
Rights
A single clause can hand away twenty markets you have never discussed. Here is how to read it, and what to counter with.
Draft — pending publication · 8 min read
Translation
Rhythm, dialogue tags and paragraph shape tell you more than you expect. Four checks any author can apply.
Draft — pending publication · 6 min read
Audio
Loudness, noise floor and room tone cause most retailer rejections. The fixes are mechanical, not mysterious.
Draft — pending publication · 7 min read
Distribution
Categories, keywords and comparable titles do quiet, compounding work. Write them for the retrieval system, then for the reader.
Draft — pending publication · 5 min read
Rights
Rights that come back to you are rights you can license again. How to negotiate the end before the beginning.
Draft — pending publication · 6 min read
Translation
The document that prevents most disagreements later: register, names, dialect, humour, and what must never change.
Draft — pending publication · 9 min read
Featured
A single clause can hand away twenty markets you have never discussed. Here is how to read it, and what to counter with.
Draft — pending publication
Series
Topics
Briefs, sample assessment, register, terminology and query logs.
Territory strategy, clause reading, reversion, sub-rights.
Casting, direction, technical standards, retailer compliance.
Metadata, channels, pricing, royalty reconciliation.
Further reading
Longer reference material — checklists, glossaries and sample documents — is collected separately.
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We publish craft essays from working professionals. Pitches are read by the Editorial Director; contributors are paid and credited.
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